Best Horror Movies to Watch on Shudder Right Now


The Borderlands is a cut above your average horror movie for it’s great chemistry between the lead, dry sense of humour and an absolutely terrifying ending. Released as Final Prayer in the US.

We Are What We Are

We Are What We Are (2013)


This US remake of the Mexican horror of the same name is a slightly different beast to its counterpart, and perhaps better for it (you can watch and enjoy both for different reasons). Cold In July’s Jim Mickle directs this suspenseful, bloody tale of a secluded family who indulge in violent traditions who become more visible to the world than they’d like after the matriarch of the family dies. Ambyr Childers and Julia Garner star in this nuanced cannibal tale.

Maika Monroe in It Follows

It Follows (2014)


A different kind of infection movie. David Robert Mitchell’s breakout horror hit is a terrifying tale of a sexually transmitted ghost – a shape-shifting ghoul that will relentlessly tail its victim at a walking pace until the curse is passed on. Maika Monroe stars as the latest to be tagged, trying to find a way to either pass the curse on or destroy it forever.

Deeply spooky, It Follows will stick with you long after the film has ended.

Starry Eyes

Starry Eyes (2014)


This satanic horror takes a swipe at Hollywood as a nervous young starlet, Alex Essoe, sacrifices her body and soul in exchange for fame and fortune.

Starry Eyes is a #metoo movie ahead of its time, and a gross out body horror to boot. It’s directed by Kevin Kölsch and Dennis Widmyer who went on to make the not-that-great remake of Pet Sematary from last year, but don’t hold that against them.

The Hallow

The Hallow (2015)


Corin Hardy’s directorial debut is a folk horror mixed with fantasy as a conservationist and his wife and son move into a woodland home only to discover there are strange creatures living in the forest. Some effective jump scares, memorable monsters and a weird wistful ending marked Hardy out as one to watch.

Better watch out

Better Watch Out (2016) 


Another Christmas horror movie, this one much more recent. Olivia DeJonge plays the young babysitter trying to protect her 12-year-old charge Levi Miller when intruders threaten the house. Or at least you’ll think that’s what the film is about for the first 20 minutes at which point the rug gets well and truly pulled. Violent, funny, fresh and with excellent central turns this is a fun horror at any time of the year.

Train to Busan

Train to Busan (2016)


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Just when you thought the zombie genre was running out of gas, Train to Busan comes barreling down the track at full speed to give it a jolt again. Director Yeon Sang-ho wisely puts an endearing relationship between a father and his little girl at the heart of the movie, keeping audiences invested as the pair fight to stave off an undead invasion on their bullet train. The zombie action is familiar if also freshly orchestrated, but the movie is gripping to the genuinely moving finish. 

The Transfiguration

The Transfiguration (2016)

Loved Let the Right One In? Check out this similarly arthouse slow-burn vampire-adjacent tale about a troubled teenage boy obsessed with vampires who finds love and redemption through his relationship with an equally damaged girl. It’s set against a backdrop of violent crime in New York and plays like a social realist drama with genre tropes built in.

One Cut Of The Dead

One Cut Of The Dead (2017)

Very much a film of three parts, it starts as what looks like a low budget Japanese zombie film gone wrong, morphs into an interesting meta movie, and ends with a final third that’s more joyful than you could possibly imagine. The fun is in the discovery so try to avoid reading about this, instead hang around until the end for a clever, funny, and uplifting love letter to indie film-making.


Terrified (2017)

A weird Argentinian horror with some extremely effective scares, Terrified is probably best avoided by anyone shut in alone prone to hearing strange noises in the house. Terrified begins with a couple who hear sounds coming from the sink and rapidly escalates into a story of multiple ‘hauntings’ by otherworldly creatures, and the paranormal investigators who are trying to crack the case. Non-linear and not exactly packed with logic or explanations, what Terrified does have is scares in spades.

Tigers Are Not Afraid

Tigers Are Not Afraid (2017)

Issa Lopez’s horror fairytale is also set against a background of violence, this time in the Mexican drug cartels. We follow Estrella, a recently orphaned ten year old, who joins up with a group of orphaned kids. Estrella believes she has three wishes, but in her world wishes don’t often come true as planned.

Similar in tone to Pan’s Labyrinth, Tigers Are Not Afraid is a beautiful, lyrical fantasy, rich in imagination, juxtaposed against horrific real world events

The Witch In The Window

The Witch In The Window (2018)

A creepy ghost story which sees a father and his estranged son attempt to fix up an old farmhouse which is haunted by its previous occupant, a malevolent spirit who only grows stronger as the house gets repaired. A family story with successful scares, The Witch in the Window could be a good pick for anyone craving an old fashioned chiller.

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The Beach House

The Beach House (2019)

The Beach House is a quirky new Shudder original from debut writer/director Jeffrey A. Brown. It sees a young couple take trip to a holiday home but find friends of the young man’s parents are also staying there. Then as night falls a strange fog descends, bringing with it something strange from the sea…

Plot light, FX heavy body horror that’s slickly executed and well worth a look.

Madeleine Arthur in Color Out of Space
Gustavo Figueiredo/RLJE Films

Color Out of Space (2019)


The works of legendary horror author H.P. Lovecraft have always been difficult to translate to the screen, since much of his prose is told from inside the crumbling minds of unnamed protagonists who sense — but often never actually see — the evil cosmic presences closing in around them.

Director Richard Stanley (Hardware) has an innate sense of what makes Lovecraft work, however, and Color Out of Space — about a family whose farm is infected by a nameless entity that crashes to Earth inside a meteorite — captures much of the otherworldly eeriness of one of the author’s most famous stories. But the movie also stars Nicolas Cage, who does his Nicolas Cage thing and occasionally ends up fighting the material.

Read our full review here.


Host (2020)

You thought there were no new movies being made during lockdown? Turns out you were wrong. This utterly ingenious horror was conceived, shot and completely in just 12 weeks during lockdown.

Host is a found footage film told via Zoom and it is comfortably the most current and relevant thing you will watch. It’s also extremely scary, in part because of how terribly relatable it is but also because of the excellent FX and stunt work which elevates this from a cool concept to a genuinely exciting and cleverly made horror that will almost certainly be the defining genre movie of the year.

Jeffrey Bowyer-Chapman in Spiral

Spiral (2020)


Marketed as a gay-themed response to Get Out (and not to be confused with next year’s Saw spin-off using the same title), this Shudder original finds same-sex couple Aaron (Ari Cohen) and Malik (Jeffrey Bowyer-Chapman) moving from the big city to rural Illinois along with Aaron’s teen daughter (Jennifer LaPorte) from his previous marriage. Once there, the family encounters not just plain old homophobia (the film is set in the mid-1990s) but other secrets hidden beneath the peaceful small-town veneer.

About the author


Joseph Ellis

Joseph is an experienced freelance journalist. He has worked as a journalist for a few online print-based magazines for around 3 years. He brings together substantial news bulletins from the field of Technology and US. He joined the Sunriseread team for taking the website to the heights.

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