Fitting In Movie (2024) Release Date, Cast, Storyline, Trailer Release, and Everything You Need to Know:
Coming soon from the mind of writer and director Molly McGlynn is the comedy-drama film Fitting In. Emily Hampshire, Djouliet Amara, Maddie Ziegler, and D’Pharaoh Woon-A-Tai are the main characters in this film.
The production companies behind the film are Elevation Pictures, Wonndaland Pictures, and Nice Picture. The release date, cast, crew, plot, and more of Fitting In are all detailed here on this page.
Molly McGlynn will script and direct the 2023 Canadian coming-of-age comedic drama film Fitting In. The cast includes Maddie Ziegler, Djouliet Amara, Emily Hampshire, and D’Pharaoh Woon-A-Tai. During its first screening at SXSW, the film was referred to as Bloody Hell.
The year 2023 will see the presentation of many more film festivals. The 2023 Vancouver International Film Festival presented the prize for Best Canadian Film to the film.
Fitting In Movie (2024) Release Date:
Fitting In, starring Maddie Ziegler and Djouliet Amara, is scheduled for a global release around February 2, 2024. In September 2023, the film screened at the Toronto International Film Festival and the Cinéfest Sudbury International Movies Festival in Ontario, Canada. The following month, it had its world premiere at the Vancouver International Movies Festival and the Calgary International Film Festival.
Fitting In Movie (2024) Trailer Release:
There is currently no trailer video for Fitting in Film (2024) available.
Fitting In Movie (2024) Cast:
- Maddie Ziegler as Lindy
- Emily Hampshire as Rita
- Djouliet Amara as Vivian
- Ki Griffin as Jax
- D’Pharaoh Woon-A-Tai as Adam
- Dale Whibley as Chad
- Michael Therriault as Dr. Doheny
- Christian Rose as Greg
- Dennis Andres as Coach Mike
Fitting In Movie (2024) Storyline:
“Traumedy” about coming of age follows Maddie Ziegler’s (16-year-old) character Lindy as she deals with the shock of receiving a diagnosis of MRKH syndrome, a reproductive disorder.
Her mother’s (Emily Hampshire) connection with her, her sexuality, her ambitions for sexual interactions, and most significantly, her own identity, are all disrupted by the diagnosis.
Running through Fitting The story follows Lindy, a girl of sixteen, as she deals with the diagnosis of MRKH syndrome, an extremely uncommon reproductive disorder.
Her mother’s, her new high school classmates’, and her new boyfriend’s relationships are all thrown into chaos by the diagnosis, which also shakes her perception of femininity and sexual identity.
While in the early stages of contemplating having intercourse with her lover Adam, Lindy played by Maddie Ziegler and her single mother Rita portrayed by Emily Hampshire have relocated into her grandmother’s former home.
The doctor prescribes birth control after diagnosing her with Mayer-Rokitansky-Kuster-Hauser syndrome, a rare reproductive condition characterized by a shortened vaginal canal, the absence of a uterus, and a cervix.
As her other high school students engage in extracurricular activities such as athletics, dating, and sexual activity, Lindy finds herself spiraling out of control and alienating everyone who formerly provided her with support, including her closest friend Adam and her star athlete position.
A adolescent girl’s expectations for a sexual life are shattered when she learns she has a reproductive disorder; this sets her on a path of unconventional ways. Every person in her life, including herself, is a source of difficulty in her relationships.
The clever double-entendre “Fitting In” deftly balances being an engaging storyteller with coming off as just instructive. Although it is obvious that teaching was not the only motivation for making the video, it tries its best to educate audiences about MRKH while also telling a tale.
In an effort to answer the title and make sense of Lindy’s illness through the story, the film vacillates between sex comedy, high school coming-of-age, or melodramatic self-discovery without fully committing to any one of these subgenres.
It comes off as somewhat comical when it tries to be tragic. It tries too hard to be a sex comic without really being one. Whenever it aspires to be a growing-up picture, it succeeds admirably.
However, the film’s finale is let down by a ludicrous change in tone that sets in motion the most predictable and cliched chain of events that could have been chosen for this kind of film.
Wow, I had no idea that condition existed! That’s the only thing I took away from the video. It plainly doesn’t have anything to say. The film skirts the topic of taboos associated with “not normal” situations on occasion but never fully explores it.
With its disappointingly manipulative and out-of-place self-discovery plotline, the picture becomes the second entry in the “Maddie Ziegler queer movie universe of movies that premiered at SXSW.”